Layers of paint, weathered surfaces, fading wallpaper, abandoned objects, packed suitcases, fragments of everyday life. In the tension between photographic perception and spatial memory, Roland Krieg presents the home of the well-known Bruder family of organ builders not as a historical document, but as a visual field.
The focus is not on the rooms themselves, but on their material states. Through the photographs, transitions are explored—between presence and absence, order and dissolution, visibility and memory. Time appears not as a narrated story, but as inscribed materiality.
The focus is not on the rooms themselves, but on their material states. Through the photographs, transitions are explored—between presence and absence, order and dissolution, visibility and memory. Time appears not as a narrated story, but as inscribed materiality.
