My works, which evolve in confrontation with nature, are created during the drawing or painting process in the interplay of color, structure and light. It is set in motion by random, initially set structures. Memories of landscapes and natural worlds that I wander through in my mind and in the studio also enter into this process. As in the "Ark", the wealth of variations and the painterly possibilities are often overwhelming, even for myself. Dealing with the characteristic opens up natural and fictitious options in the play with forms as the actual.
In this way, the pictures each tell their own story. The "stone worlds", which resemble each other on a small and large scale, elude any definition due to their lively, diverse and hardly predictable form. Their massive presence and significance make them the epitome of permanence for me.
I develop my pictures by drawing and painting, using very different techniques. Landscapes and natural worlds emerge "free and new, and yet not different, as if they had to be created and visible somewhere." (G. Keller: The
In this way, the pictures each tell their own story. The "stone worlds", which resemble each other on a small and large scale, elude any definition due to their lively, diverse and hardly predictable form. Their massive presence and significance make them the epitome of permanence for me.
I develop my pictures by drawing and painting, using very different techniques. Landscapes and natural worlds emerge "free and new, and yet not different, as if they had to be created and visible somewhere." (G. Keller: The
