As early as the 15th century, it was customary at the Burgundian court to play originally sung chansons on the recorder. With his collection "27 Chansons musicales à quatre parties", the music printer Pierre Attaingnant took up this tradition in 1533, in which he identified selected pieces as particularly suitable for "la fleuste a neuf trous", i.e. the recorder. In this program, the danced solo galliards - fiery leaping dances that can also be found in Attaingnant's prints - form a counterpoint to the vocal chansons.
Conductor: Tabea Schwartz
Doors open at 5.45 pm - concert at 6.15 pm
A unique concert series that focuses on music and Renaissance culture. "A Renaissance of the Renaissance", brought to life by professional musicians from Basel.
Collection
Languages: German, English, French
Conductor: Tabea Schwartz
Doors open at 5.45 pm - concert at 6.15 pm
A unique concert series that focuses on music and Renaissance culture. "A Renaissance of the Renaissance", brought to life by professional musicians from Basel.
Collection
Languages: German, English, French
This text was translated by an AI.
